IMPRESSIONISM
Impressionism was one of the French alternative movement during the period of silent films. It included a style where people had new strategies and techniques that were operated mainly in large firms.
World War I brought French Film Industry almost to a downfall. However, there were large firms who continued in controlling circuit of theaters by the use of some American film. By then, Hollywood cinema invaded every movie houses in France. French film industry tried to recapture the market through the imitation of American films. But one thing that made a great impact in this movement was the encouragement of younger French directors, such as Abel Gance, Louis Delluc, Germaine Dulac, Marcel L' Herbier, and Jean Epstein.
Abel Gance
Louis Delluc
Germain Dulac
Marcel L' Herbier
Jean Epstein
These young directors made essays to proclaim that cinema is worthy of comparison to poetry, painting, and music, for all these things fall under art. In bringing French film industry back to life, they made films emphasizing mainly personal emotions, thus leading to psychological narratives. Examples of this are love triangles, human fantasies, and depicting memories through flashbacks. These were also experimented by young directors through cinematography and editing. Impressionists also required a lot of innovations in film technology. Gance was noted for using new lenses, multiple frame images, and widescreen ratio. He used it for his epic Napoleon.
These different innovations made by Impressionists gave French filmmakers the hope to grant their films popularity in Hollywood. Some succeeded, but some did not. Some young directors stopped pursuing their careers, while some were absorbed by big production companies.
It was year 1929 when Impressionist movement was put to an end, but the stylistic and conceptual influence of this movement can still be seen in present-day films.
SURREALISM
Surrealism was another alternative movement during the silent era. It was mainly focused outside the film industry. French filmmakers in this movement relied on their own and private patronage.
Painters like Man Ray and Salvador Dali, and writers like Antonin Artaud, began experimenting and investigating the art of cinema, but the young Spaniard Luis Bunuel became the most famous filmmaker.
Luis Bunuel
Surrealist cinema deeply emphasized the causality of events, and not merely about narratives. These films were about violence, sexual desires, and blasphemy. The main purpose of these films is to let their viewer's impulses engage to them in a way that they could feel they are present in the movie. Surrealist paintings influenced films' mise-en-scene. Some paintings by great artists were featured on scenes of certain film.
It was dated year 1930 when Surrealism movement was ceased. Some filmmakers continued working on their own. The most famous filmmaker, Bunuel, continued making films in Surrealist style, that lasted for 50 years.
- ClarissaAlimot